Woah, i havnt been on in a while....

Sorry that i havnt been here in a while. im thinking of changing things up a bit so for those few who actually follow this blog, keep an eye out.

Mia and Ava rose

Ava (Feb 9, 1986) and Mia Rose (March 30, 1987) are two beautiful women hailing from Sutton, Alaska. After spending time together as strippers stripping in Reno, Nevada before getting a run in the pornographic industry they now reside solely in the modeling industry. Mia's rationale for getting into porn was, "we were already fucking the shit out of everybody in our personal lives, so why not?".


They have been in the same scene together in several movies but do not have sex with each other. Mia had corrective surgery done on her nose to streamline it and improve her breathing in June 2006. Mia is an avid player of the video game World of Warcraft (WoW) but her WoW account was temporarily banned once allegedly after another player had outed her identity to the administrators. The official reason cited was that her account information was incorrect. An NPC named Mia the Rose appears as a quest objective in the Twilight Highlands zone of the World of Warcraft: Cataclysm expansion. The sisterly bong between the two is very evident.

in Mia's own words "My sister is my best friend. AVA ROSE. I am dead serious about her being my best friend too. Without each other we would more than likely die. " and in Ava's "Not only is my sister my # 1 homie in the whole wide world but the #1 swimmer for the junior sperm divisions "Race to the Egg". Pretty good ehhh? So make sure to drop by Mia Rose on my top list and tell her congrats = )"
Obviously not the exemplary "good girls" The two actually have very promiscuous histories that would put some people off. "We were both sluts and all the other girls hated us, but we didn't care," Ava said. Even so, Mia had notions of becoming a professional photographer or writer someday. "I took the GED and graduated early, but I didn't like college. I wanted to make money so my sister and I started stripping. We loved the attention," Mia said. "Even before porn, I fucked 98 guys, so fucking on camera wasn't a big deal."
"Indeed," Ava replied: "I did 70 guys by the time I got into porn, so she was a bigger whore."




This post i will admit is much more taboo but honestly i dont care. i love them because of their uniqueness in comparison to other models. Not only are they gorgeous but they are confident in who they are and perfectly comfortable in that.

Sarah Brightman

Before reading be sure to read this previous post on an informative essay im writing.


The Provocation Of The Female Image

WARNING

(explicit matiriel will be involved, nothing is meant to be erotic or offending, this is merely a scholarly pursuit.)









My love for sarah brightman is astounding. Shes an older woman and still looks beautiful, she has the voice of a goddess, and she appears on one of my favorite movies Repo the genetic opera.

this biography was taken from her site.


Biography

by Siew May Chin

Everything about Sarah Brightman is multi-dimensional. Her penchant for fusing musical genres. Her multi-faceted voice. Her contrasting personas. Is it any wonder then that the life and career of this multi-platinum artist is equally colorful and intriguing?

Very often, fans of Sarah's latest works are surprised to learn of her illustrious past in Andrew Lloyd Webber productions on Broadway and the West End. Conversely, those who remember her landmark role in Phantom of the Opera find themselves marveling at the exciting direction that her career has taken in the decade since her departure from musical theatre. Hardcore Sarah fans, no doubt, are well aware that her singing career began with chart-topping success in the disco era, with a dancing career that extended all the way back to her childhood.

Here then is a biography offering insight into the fascinating life and prolific career of Sarah Brightman, and the influences that shaped one of this generation's most glorious voices.

Sarah Brightman was born an entertainer. From the tender age of three, she was dancing at festivals in her hometown of Berkhamsted, a sleepy market town outside of London. By age five, she was performing up to four routines and winning them all.

It was her ballet teacher, an examiner for the Royal Academy of Ballet, who made her parents aware that Sarah was unusually gifted. As such, Sarah’s show business aspirations were regarded not as childhood fantasy, but as precocious ambition, deserving of regard and nurture.


Despite severe bouts of homesickness, she enrolled in a performing arts boarding school at age eleven and was well on the way to furthering her dreams at that pre-pubescent age.

As a child, Sarah was exposed to an eclectic assortment of music, for hers was a household where Tom Jones and Tchaikovsky got equal billing and airtime. Sarah was just as happy twirling around in the kitchen to psychedelic pop as she was executing ballet maneuvers to serious classical movements.

It is perhaps not surprising that decades later, Sarah Brightman would break musical ground by fusing seemingly incongruous genres; gliding seamlessly between pop and classical, dance and trip-hop, Gregorian chants and Eastern refrains. Even her gravitation towards Gregorian chants can be traced back to her years of singing in Berkhamsted's church choir.



Scarcely two lines into her song at the Cats audition, Sarah was stopped short and told that she had earned a personal meeting with Andrew Lloyd Webber at his home. The next day, an aide called and summoned Sarah to Andrew's flat.

The Cats audition had called for performers who regarded themselves as “unusual.” Sarah rather ostensibly fit the bill, arriving in conservative Belgravia flamboyantly attired in aquamarine and crowned in a blue mohican hairstyle. Her rendition of “Don’t Rain On My Parade,” followed by “Don’t Cry For Me Argentina,” visibly impressed Andrew who promptly arranged for a series of further auditions with Trevor Nunn.

Months lapsed, however, before Sarah finally got the news that she had been offered a role in Cats. Some year later, Gillian Lynne, the choreographer for Cats (appearing on This Is Your Life, a British celebrity-tribute show honoring Sarah) remarked:

She danced with such sensuality and determination. Nobody taught Sarah her guts. In Cats, everyone kept hurting themselves because it was difficult... and Sarah kept putting her neck out. I'd say, "Do you think you should do the Jellicle Ball... all twelve minutes of it... again?" And she'd say, "Yes, I’m not going to sit down, I’m not going to sit down." And so she'd dance, with her head cocked to one side in pain.



he next installment of the Sarah Brightman biography is being lived right now, by the great lady herself. We will unveil this installment at a later date.